All images used in this article were taken from ‘Hiroshi Sugimoto: Architecture of Time’ (Schneider 2002) – Published alongside an exhibition of the same name.
“…it seemed like an interesting idea to photograph 20th Century architecture out of focus.” – Sugimoto explains. “The concept of time applies – I’m trying to recreate the imaginative visions of the architecture before the architect built the building, so I can trace back the original vision from the finished product.”
While trying to come up with ideas for my master’s project, I discovered the work of Simon Roberts. In particular, his series ‘Pierdom’.
“Made over the past three years, Pierdom is a comprehensive survey of Britain’s Pleasure Piers. Predominantly constructed during the 19th Century in the context of expanding Victorian seaside resorts and railways, these structures were often erected as landing docks for pleasure steamers and other sea craft. Growing to accommodate the needs of day-trippers escaping the smog of the city, engineers began to incorporate bandstands, cafes and music halls into their designs, embracing the growing notion of ‘pleasure seeking’ by the seaside.” [SOURCE]
This is only a small sample of Simon Roberts’ extensive study of piers. [View more here]
I came across this series after becoming interested in how we spend our British summertime. A lot of what I was finding included glamorous black and white images or the use of colour, such as Martin Parr. Both of these techniques produce beautiful photographs, however I enjoy the desaturated appearance of Pierdom. Even moreso against the grey walls of the exhibition space.
Don’t forget to check out Simon Roberts’ work. I recommend Urban Parks.